‘During my residency at Glenkeen Garden in the spring of 2022, I created two works exploring the relationship between nature, humans, and technology: the video work Plant Stress (SPF 50) and Foreshore Act (Landscape Study), a stereoscopic video installation with spatial sound.’

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Moritz Fehr

Plant Stress (SPF 50)

In his captivating video work, artist, researcher and composer Moritz Fehr deals with the notion of plant stress — a term borrowed from scientific discourse, denoting unfavourable conditions or the impact of substances that disrupt the metabolism and growth of plants.

The antagonist in this instance is excessive UV radiation, a prevalent factor in environmental pollution. Filmed exclusively in the ultraviolet light spectrum, Fehr’s work shows the act of applying SPF 50 sunscreen to various plants, thus creating a peculiar, shimmering black shield against the relentless effect of UV rays on the flora, resulting in the image itself slowly starting to disappear. This encounter creates a nuanced narrative around the implications of human influence on the natural world.

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Moritz Fehr, Plant Stress (SPF50): Still 2, 2022

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Moritz Fehr, Plant Stress (SPF50): Still 3, 2022

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Moritz Fehr, Plant Stress (SPF50): Still 4, 2022

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Moritz Fehr, Plant Stress (SPF50), 2022

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Moritz Fehr, Foreshore Act, 2024