Juliet Carpenter is an artist and filmmaker from Aotearoa New Zealand, currently living and working in Germany. Carpenter's work is interested in the ways that individuals produce themselves as characters, especially in relation to contemporary image technology. Their incising multimedia installations and films often foreground psychological and emotional experiences, extrapolating elements of these through historical, cultural and technological lenses.

Róisín Berg is an interdisciplinary artist based in Limerick, Ireland, whose practice explores how technological systems act as mediating agents in the construction of memory, perception, and relational experience. Through materially diverse and systems-focused methods, they design experimental processes, instruments, and installations that challenge the assumptions embedded in digital technologies.

Since meeting through the Creative Pathways exchange between Ireland and Germany in 2021, Berg and Carpenter have collaborated on ‘The Sun Is Not To Be Believed’, a generative film that unfolds in real time through algorithmic manipulation. This work, shaped by their shared interest in the interrelation of nature and technology, has been presented internationally, including most recently at MUMA in Melbourne. Together, they continue to expand this system as a flexible protocol for thinking about time, memory, and ecological registers through the lens of contemporary technology.